This was one of the Oscar nominees I didn't get to last year and I missed it again when it came up in Movie Club, so this has been kind of a catch-up week for me. (Also, I completely missed the nominations for both the Golden Globes and the Critics Choice Awards so my TBW list has jumped up like 100 slots. Thank God the Oscars don't drop until the 17th.)
Koichi Shikishima (Ryunosuke Kamiki) chickened out of being a kamikaze pilot at the end of WWII, landing instead on a small island for "repairs" and inadvertently witnessing a local monster, Godzilla, which rampaged over the island and killed all the maintenance workers. Shikishima returned to a war-torn Tokyo to find that his family is dead and his neighbor (Sakura Andô) hates him. He takes in refugee Noriko (Minami Hamabe) and orphaned Akiko (Sae Nagatani) but refuses to allow himself to care for them. And then Godzilla returns, angry over nuclear testing and even larger than before. Shikishima needs to come up with a plan to stop the giant lizard before it ruins his life even further.
Maybe this was just overhyped to me, but I didn't think it was nearly as good as Shin Godzilla. It felt more cynical, more depressed, and more like a Jaws riff than a Godzilla movie. Maybe because Shikishima is not a sympathetic protagonist? Nothing about this worked for me.
It has a ton of critical acclaim and won the Oscar for Best Visual Effects so clearly other people like it. It's streaming on Netflix.