Nominated for Best International Feature 
Najmeh (Sohelia Golestani) is trying to keep her family from falling apart after her husband (Missagh Zareh) gets promoted to Investigator for the theocratic Court in Tehran. The position requires complete anonymity because of the fear of reprisal, so Najmeh cautions her two daughters against anything that would identify them or cause suspicion. But Rezvan (Masha Rostami) and Sana (Setareh Maleki) are tired of the propaganda they've been fed their whole lives, and want to be involved with the on-going protests for women's rights. When their father's gun goes missing, Najmeh must decide which is more important: protecting her daughters or appeasing her husband.
The story itself is pretty basic --youth rebelling against authority-- and only elevated by the inclusion of actual protest footage that made it past the social media bans in Iran. That is a hard watch but necessary. Framing it in a fictional story probably had the added benefit of giving real-life authorities fewer people to target.
The performances were good, especially Rostami, who acts as a moral compass for the film. Pacing lags a bit, especially between setting changes, but that's a pretty minor complaint. You might be able to catch this in theaters if you live near an arthouse one, but most likely you'll have to clicky-click that VPN if you want to watch it at home before the Oscars.
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