Amelia (Essie Davis) is a single mother of imaginative six-year-old, Samuel (Noah Wiseman). His seventh birthday is fast approaching but Amelia finds it hard to cope because that was also the day her husband died. To compound matters, Samuel has begun harboring a fear of monsters and fashioning various homemade weapons to defend himself and his mother. This leads to several incidents resulting in a lot of embarrassment for Amelia. When a creepy children's book shows up at their house, it sends Samuel into paranoia overdrive. Amelia tries to reason with him until weird things start to happen around her as well.
As a movie, it is not terribly frightening. You merely get a suggestion of the monster here and there and some sound effects. As a metaphor for a parent's fear of deliberately hurting their child, you can't do much better. So much of the terror is conveyed through Amelia's desperation, the same desperation felt by anyone who's ever tried to reason with an unreasonable child, where you love them more than anything but you still want to choke the life out of them. I don't know a single parent who hasn't admitted feeling homicidal towards their kids at least once and to feeling incredibly guilty afterwards.
Calling this a simple horror movie is insulting. It treats grief and anger and fear as musical instruments, weaving them together to make an effective chamber piece of feeling. Pretty to the ear of the untrained, yet holding so much depth to a connoisseur. I highly recommend it.
Calling this a simple horror movie is insulting. It treats grief and anger and fear as musical instruments, weaving them together to make an effective chamber piece of feeling. Pretty to the ear of the untrained, yet holding so much depth to a connoisseur. I highly recommend it.
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