I don't know why this is a Criterion Collection pick. I don't get it. The official synopsis from Netflix says "Determined to make it as a modern dancer in New York, a young woman pursues her unlikely goal with more enthusiasm than natural talent," but that's not really accurate.
Frances (Greta Gerwig) is a 27-year-old dancing apprentice who has an unhealthy codependent relationship with her best friend, Sophie (Mickey Sumner). But when Sophie's life starts to follow a more traditional path for adulthood (real job, committed relationship, etc.), Frances is forced to confront that she has just been coasting in Sophie's wake.
I think everybody has known or has been a Frances at some point in their lives. Your enjoyment of this movie may be a direct reflection of how irritating you find these human beings. I will be the first to tell you that I don't like character-based dramas. Frances also reminded me a lot of Adele from Blue is the Warmest Color, except that she was 15, not almost 30.
Gerwig is adept enough, but I thought Sumner's performance was better. I think it was meant to seem more cinema verite by shooting in black and white, but it comes off as pretentious to me. Maybe a more grounded style was meant as a contrast to how flighty Frances is? I don't know. It's a pretty straightforward story, no twists and turns, or big reveal. If you like that sort of thing, give it a shot. I found it a little too annoying.
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