Of course, this movie couldn't have been more tailor-made for me if they had handed out Godiva truffles and free kittens at the door. Hot girls wearing nothing but sequins? Check. Bright lights? Check. Suspiciously made-up men? Check. Outstandingly high-quality musical numbers? Motherfuckin' check. Seriously, when I saw a preview that had Cher and Christina Aguilera as burlesque singers and Stanley Tucci as a snarky backstage maven I went ahead and took $9 and put it aside. Those became dedicated funds.
Of course, this movie owes everything it is to Caberet. There's a particular scene where the choreography was straight-up ripped from Liza Minnelli's hands. Because I loved the movie, I'm going to call it an homage to Fosse, but those less inclined to be generous might confuse it with plagiarism. Hell, Alan Cumming even has a small role in the same vein as the Emcee he played in the Broadway revival. (I will tell you right now, I can hardly wait for the DVD special features because they had to have had, had to, a longer scene with him on stage if not a full-blown musical number. Please God.)
Anyway, the story is pretty predictable. Girl from nowhere moves to LA to make it big, realizes that it's much harder than she thought, and stumbles across the Greatest Job in the World. She works hard, gets her big break, and then finds that people may try and woo her for the wrong reasons. Like any woman over the age of 13 hasn't figured that one out. Especially if they look like Christina Aguilera.
"Someone might only be interested in my looks and not my life story? You don't say."
But let's get real, here. You're not going for the plot. You're going for the costumes, the music, the dialogue, and the Cher. Oh, yes, the Cher.
So call me a gay man trapped in a woman's body all you want. I love me some Cher and I loved this movie.
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