The Perfect Neighbor (2025)

Nominated for Best Documentary Feature  Content warning:  racial slurs, gun violence

Susan Lorencs described herself as a perfect neighbor in one of her numerous nuisance calls to police.  She constantly complained about the neighbor kids playing near her apartment, escalating her verbal rhetoric over the course of a year until it reached an inevitably violent end, documented painstakingly through body cam footage of the police responding to her calls.

This was absolutely infuriating to watch.  It is a portrait of entitlement and racism.  Like, I get being an antisocial curmudgeon.  The sound of children's laughter also grates on my nerves.  Do I feel like the Grinch looking down over Whoville every time children scream with joy as they sled down the embankment behind my house?  Yes.  Do I go out and threaten them or yell racial slurs?  No.  Because I am an adult who recognizes that they are CHILDREN and that it is a fucking privilege to have them feel safe enough to play.  And this bitch destroyed a group of children's safety because they were Playing While Black.

This is streaming on Netflix but I am honestly cautioning you if you are sensitive to children being threatened.  It felt a little exploitative when it lingered on the grieving relatives, but I get it.  They're trying to show the extent of the impact.

Blue Moon (2025)

Nominated for Best Actor and Best Original Screenplay    Lyracist Lorenz Hart (Ethan Hawke) prepares to congratulate his former writing partner, Richard Rodgers (Andrew Scott), on the latter's smash success on Broadway.  

I was really skeptical but this might be Hawke's best performance in 30 years.  This is everything Maestro tried to be and couldn't.  Hawke is pitch-perfect as Hart, desperate to be loved but terrified of being seen, hiding his aching vulnerabilities under a mask of sarcasm and flippancy.  There are other people in the movie, sure, but none of them hold a candle.   As much as I would love to see Michael B. Jordan win, if there's any justice in the world, Best Actor goes to Hawke.  

I think there are stronger contenders for Original Screenplay but I'm not on the Academy.

Production design is great, but the costumes do most of the work establishing a setting and time period.  Especially good is the way they used forced perspective and set design to make 5'10" Hawke into 5'0" Hart.  Best of all, most of it looked practical.

This is not going to be for everyone.  There's a weird Venn diagram of theater diehards and Linklater fans.  But if that's your bag, you are in for a phenomenal performance.  It's currently streaming on Netflix.

Hamnet (2025)

Nominated for Best Picture, Best Director, Best Actress, Best Original Score, Best Adapted Screenplay, Best Casting, Best Production Design, and Best Costumes    Content warning: death of a child, dead animal (hawk)

Agnes (Jessie Buckley) meets and marries her half-siblings' tutor (Paul Mescal) despite a large disparity between their social statuses.  They have three children and the husband finds some success as a playwright in London.  Then their 11-year-old twins catch the plague and one dies.  Grief consumes the family.

I did find it interesting that at no point in the film is Mescal's character named as William Shakespeare.  Even in the subtitles, he's only identified as Husband.  Unfortunately, that's the only interesting thing I found about the movie.  I didn't feel anything except boredom while watching it.  It's very pretty and Mescal and Buckley are putting in work, but one of my biggest pet peeves in a movie is when it focuses on a better piece of art.  The entire last 20 minutes is the finale of Hamlet and it's really good.  Shoutout to Noah Jupe for playing the actor playing Hamlet.  Fun fact: he is the older brother of the kid playing Hamnet.

And I get the impulse to not focus on Shakespeare.  But there's just not enough there to have Agnes be the main character and then also have the final act of Hamlet...which brings the focus back to Shakespeare.  It just felt really scattered.  This is another one of those films where I do not understand the amount of praise being heaped on it.  It felt almost revisionist, like it was trying too hard to tell a story about an unsung Woman of History.  I don't know if that's what it was trying to do but it was a swing and a miss for me.

It's currently still in theaters and available for streaming as Video On Demand on Amazon.

If I Had Legs, I'd Kick You (2025)

Nominated for Best Actress     Content warning:  medical horror, child endangerment, animal death (hamster)

Linda (Rose Byrne), a chronically sleep-deprived mother, is trying to fight a number of battles.  The ceiling of her apartment has collapsed, forcing her and her daughter (Delaney Quinn) to move into a run-down motel.  Her daughter has a feeding tube and requires constant attention, while also weaponizing her condition to manipulate the adults around her.  Linda's job as a psychotherapist is unfulfilling, and her husband (Christian Slater) is absent much of the time while doing his job as a cruise captain, leaving Linda to handle everything in his absence and berating her for not doing it perfectly and without complaint.  Then one of her patients abandons a baby in her office and goes missing.

This was the most claustrophobic movie I have ever seen.  The camera stays so tightly on Byrne, it makes you feel like you are nose-to-nose with her.  Honestly, this would be such a good double-feature with The Babadook.  I'm counting it as horror, even though Wikipedia is claiming this is a comedy-drama.  There was not a single moment of comedy for me, though, so I have no idea what it is talking about.  Just skin-crawling anxiety and stress.  So much more effective than Marty Supreme even though Linda is also an unlikeable character making bad choices, but crucially, remained somewhat sympathetic.  I can't claim that I liked this movie but I can recognize that it worked.

It's currently streaming on HBO Max.

Sentimental Value (2025)

Nominated for:  Best Picture, Best International Feature, Best Director, Best Actress, Best Supporting Actress x2, Best Supporting Actor, Best Original Screenplay, and Best Film Editing     Content warning:  suicide, torture (in photographs)

Nora (Renate Reinsve) is a working theater actress estranged from her father, Gustav Borg (Stellan Skarsgård), a famous director.  Gustave approaches her about starring in his new narrative feature, but she refuses, so he hires American Rachel Kemp (Elle Fanning) for the part instead.  Rachel is initially game to be taken more seriously as an actress but soon grows more and more convinced that Gustav doesn't really want her for the role, which is ostensibly about Gustav's mother, Karin (Vilde Søyland), a member of the Norwegian Resistance, but which Rachel realizes is actually about Gustav's relationship with Nora.

I don't know if I can describe how this movie made me feel but it did make me feel.  Everybody in it is phenomenal.  It's so quiet and so deeply emotional.  It could have felt sluggish or melodramatic but it never does.  It's my third favorite Best Picture nominee.  Someone in Movie Club said that they didn't want it to win because it deserves to find its own audience and not be constantly compared to other Best Picture winners, and I agree.  Would not be mad if it got Best International Feature, though.  It's so hard because Inga Ibsdotter Lilleaas is so good as Agnes and she deserves all the accolades, but Fanning blew me away.  Her character could have been a total joke but she never treated it like one.  Just a truly beautiful film.

It's still in limited theaters but also on Amazon and AppleTV as Video On Demand.  This is actually worth the money.

Marty Supreme (2025)

Nominated for Best Picture, Best Director, Best Actor, Best Original Screenplay, Best Cinematography, Best Casting, Best Production Design, Best Film Editing, and Best Costume Design     Congrats to Josh Safdie on being the Joel.  Condolences to Benny for being the Ethan.  Content warning:  antisemitic slurs, racial slurs, violence

It is the 1950s and Marty (Timothee Chalamet) is hustling as hard as he can to get the money to compete in international table tennis competitions while avoiding any and all responsibilities.  Nothing matters except achieving his goal of being the top-ranked ping pong player in the world, not a hypochondriac mother (Fran Drescher), not an inconveniently pregnant girlfriend (Odessa A'zion), and especially not the various friends and acquaintances Marty cons or cajoles out of cash.

I had never seen any of the Safdie Brothers' previous works so the only thing I have to compare this to is The Smashing Machine, and you know, every other sports movie ever made.

I did find it interesting that both brothers chose a loose period piece biopic about a forerunner of a niche sport that is a victim of their own hubris.  I think Marty Supreme is the more successful story, even if I disliked the movie, but it is still not great.  It's overly long and haphazardly written.  Y'all, it's not even a good ping pong movie.  No idea why it's being so highly lauded.  Personally, I am not a fan of unpleasant characters being unpleasant.  I think there's enough of that in real life; I don't also need to see it in my escapism.  

This had a cast filled with cameos, some more successful than others.  Apparently, that is a hallmark of Safdie's work, but I wouldn't know.  Everyone seemed very frenetic so it was hard for me to tell who was doing a good job with their parts.  I would be okay if this lost every category.  Right now, it's my second least favorite of all the Best Picture nominees.

It's currently still in theaters and just dropped on Amazon as Video On Demand.  Don't pay money to see this.

F1 (2025)

Nominated for:  Best Picture, Best Film Editing, Best Sound, and Best Visual Effects    Happy President's Day.  Here's a completely unrelated movie.  Content warning:  car crash, fire

Sonny Hayes (Brad Pitt) is pretty aimless for a racecar driver.  He's a solid workhorse, just happy to be on the track, any track, but missing a certain spark.  His old racing buddy-turned-team-owner, Ruben (Javier Bardem), has a solution: come fill in as a replacement driver for Ruben's Formula One team.  They have a young hotshot (Damson Idris) with a lot of potential, but he needs someone steadier to balance him.  The catch is, if they don't win at least one game of the nine remaining in the season, Ruben will lose the team.

There is zero reason this needed to be three hours long, so throw out that Film Editing nomination right now.   There's a completely unnecessary romance sub-plot and at least three separate training montages that could have be condensed or just cut altogether.  Also, how are you going to make a movie about one of the fastest sports in the world and have it be this slow?  

As a Dad Movie, this is pretty solid.  It's not Ford v Ferrari or Rush, but it's fine.  Plenty of places for Dad to "rest his eyes" in between racing sequences.  It's very gentle and surprisingly quiet, minus the obligatory crash scenes. 

Kerry Condon is totally wasted, as is Bardem.  Pitt is seemingly very happy just to coast along this latter half of his career, and I can't fault him for it.  I don't love that the movie's overall message seems to be "just let the old people have this; your time will come."  I get why the target audience would respond well to it, but I am not that guy.  It feels very "forced slow clap."

There are way better racing movies out there, but F1 is streaming on AppleTV.

The Secret Agent (2025)

Nominated for:  Best Picture, Best Actor, Best International Feature, and Best Casting     Not gonna lie, this was a little hard to follow without a lot of culture-specific context, but it was probably one of the more entertaining entries this year.  Content warning:  violence, blood, dead animal (shark)

Armand (Wagner Moura) is in hiding from the CEO (Luciano Chirolli) of a tech company with ties to the Brazilian government.  He's living under an assumed name in a safehouse but putting everything on the line to keep seeing his son (Enzo Nunes) until he can get forged passports so they can get out of the country.  Meanwhile, a pair of assassins are looking for him.

The title is a bit of a misnomer.  The protagonist isn't involved in anything clandestine or undercover or related to spying.  He's a professor at a university working on energy products.  At the time, the CEO was working for Electrobras, the government-run electricity company, and pressuring the professor to can certain projects, or give up patents, in order to make himself wealthy in the private sector.  There's probably more to it but I don't know enough specifics about Brazil's military dictatorship.  Anyway, I think the title is a reference to the TV show Armand and his kid are watching, but I'm just guessing.  

I thought this was really entertaining, despite how little I understood.  There were so many weird little characters living fully fleshed-out lives.  It's great.  Best casting, if you're counting everybody.  Everything else is kind of a miss.  But super worth watching.  I rented it on Amazon because I had credits.  Otherwise, it would have been $20, which is ridiculous.  Just wait a couple of weeks and it'll drop on Hulu or HBO Max.

Bugonia (2025)

Nominated for:  Best Picture, Best Actress, Best Adapted Screenplay, and Best Original Score    Happy Valentine's Day!  Here's a completely unrelated movie.  Content warning:  blood, violence against women, allusion to sexual abuse, suicide (gun)

Teddy (Jesse Plemmons) has figured it out.  There are aliens amongst us and they have been fucking over the planet.  He knows this because he did his own research on YouTube and Reddit.  And he has a plan.  He is going to kidnap a high-ranking alien who just so happens to look exactly like the CEO of the company he works for, Michelle Fuller (Emma Stone), whose experimental drug almost killed his mom (Alica Silverstone), and use said alien to negotiate the peaceful surrender and retreat from Earth of all aliens.

The premise makes the movie sound light-hearted and funny but it's really not.  It's probably the tamest Lanthimos film yet, which is also not great.  It ends up just being fine, instead of interesting or cool or provocative or even just weird.  

Stone is great but isn't doing anything really new.  Plemmons nails the tone of desperate dipshit that's just a little too unhinged to be sympathetic but didn't score a nomination.  Could easily have replaced one of the two Supporting Actor noms OBAA got, but whatever.  Nobody asked me.  Silverstone is damn near unrecognizable.  

I will say, this is the first Lanthimos film I've seen that didn't have a completely unnecessary scene of animal abuse (unless you count actors as animals).  Progress?  I haven't seen the original Korean film this is adapted from, so no idea on that.  Score is good, though.  

Train Dreams (2025)

Nominated for:  Best Picture, Best Adapted Screenplay, Best Cinematography, and Best Original Song   Content warning:  racist violence, animal death (elk)

Robert Grainier (Joel Edgerton) searches his life for meaning in the face of tragedies while working as a logger in the late 19th century Pacific Northwest.

On paper, this is not a film I thought I would enjoy.  It's paced very deliberately, the characters are bare sketches, and the cinematography centers on nature.  I hated Tree of Life for less.  But Train Dreams resonated in a way none of Terence Malick's films ever have.  Maybe Clint Bradley is just a better director for me.  

It is slow and incredibly sad, interspersed with sudden violence.  Bit like life, really.  Edgerton doesn't have a lot of lines but he does a lot of emoting.  It is heavily Vibes-based and will not be for everyone.  I recently had a death in the family so that may have been a factor in how well I responded to it.  It's probably my second choice for Best Picture but I seriously doubt it's actually going to win.  I don't think it will get anything, honestly.  It's too quiet and unassuming.  I will say that I absolutely hated the Nick Cave song at the end.  It felt so jarring tonally and did not work for me at all.  

It is streaming on Netflix.

The Ugly Stepsister (2025)

Nominated for:  Best Hair and Makeup    Ah, our first Women's Horror entry of the year.  This was a total surprise to see on the Oscar list.  Content warning:  medical horror, body horror, worms/maggots, some gore, blood, vomit

All Elvira (Lea Myren) wants to do is marry Prince Julien (Isac Calmroth), but she is plain of looks and poor in class.  There's a chance that her mother, Rebeka's (Ane Dahl Torp) new husband (Ralph Carlsson) can raise their social profile but he already has a beautiful daughter, Agnes (Thea Sofie Loch Naess).  And then he dies and it turns out he had a title but no money.  With the ball to determine Prince Julien's bride coming up, Rebeka ruthlessly makes over Elvira to compete with her stepsister --who has literal magic.  

This movie is very funny in the way it highlights how fucked up it is to pit women against each other.  It is a deeply feminist retelling of Cinderella that surprisingly keeps a number of supernatural elements from the original fairy tale.  It does change the ending slightly, which is nice, but amps up the gross-out factors with a trip to a plastic surgeon and a, shall we say, all-natural approach to a miracle weight loss drug.  If you are at all squeamish, this is not for you.  Pretty hurts, y'all.  

The Swedes are much less prudish than American audiences so there is some full-frontal nudity in case the words "violence" and "torture" weren't enough to convince you not to let your children watch this.  It's not Disney's Cinderella.  (One sex scene in the barn is made even more awkward by constant cuts to reaction shots by the horses.  They are not involved but the editing suggests that they are enthusiastic voyeurs.)

Myren carries this movie admirably.  You can visibly see her desperation to stand out and her crushing despair when none of her efforts are deemed worthy.  Special shoutout to Flo Fagerli, who plays Elvira's younger sister, Alma.  She doesn't get a lot of lines, but her facial expressions convey everything you need to know about her.  

The Ugly Stepsister is streaming on Shudder and Hulu.  Hulu also has an English dub, if you're a coward.

The Smashing Machine (2025)

Nominated for Best Hair and MakeupContent warning:  drug use, violence, suicide attempt

Mark Kerr (Dwayne Johnson) was a championship wrestler who became a forerunner in Mixed Martial Arts/Ultimate Fighting spaces in the late 90s and early 00s.  His first professional loss coincided with the mounting toll fighting put on his body and his toxic relationship with his girlfriend (Emily Blunt) to kick off a drug addiction and subsequent overdose, which is helpfully faced and overcome in the first 30 minutes of the movie.  

So I'm going to address some aspects as tactfully as I can without disrespecting Mark Kerr, a real person, or UFC fighters, who work and train really hard, or even UFC fans.  

This movie didn't need to be made.

It especially didn't need to be a boilerplate biopic complete with training montages.  For a guy who lost ONCE.  Again, no shade.  The first time you fail at something is really hard, and the longer it takes for you to fail, the harder it is.  That's why it's better to learn that lesson as early as possible so you develop the coping skills you need to deal with future failures.  But it does not feel like particularly high stakes in the film, so the resulting come-apart feels like an overreaction.

This was directed by one half of the Safdie Brothers (Benny).  Later, we'll watch Marty Supreme which is directed by the other one (Josh) and see which brother has been carrying the other.

The movie really wants Dawn the girlfriend to be the villain, if there is one, without ever once acknowledging Mark's own toxic behavior.  There's some commentary to be made there but I frankly don't have the energy to spend any more time on it while the gushing fanboy glaze is catching so much light.  I'm not going to discount the effort fighters put in, the time and energy --mental and physical-- analyzing their own and opponents' tactics and strategies.  That's real and valid.  But you are getting beat up by a stranger for money.  You're not curing cancer.  There is zero reason for you to have a full "Know His Name" end title card like you're Rosa Parks.  It comes off as silly and indulgent.

Still, if you are interested in one of the foundational members of UFC, The Smashing Machine is streaming on HBO Max.

The Big Heat (1953)

 I had a couple of days off unexpectedly because of the snowstorm so I watched this with my friends.  It's one of my absolute favorite noirs.  Content warning:  violence against women

Philly cop Dave Bannion (Glenn Ford) is investigating the suicide of another policeman, Tom Duncan, which seems pretty cut-and-dry until Duncan's mistress (Dorothy Green) comes forward to contradict the grieving widow's (Jeanette Nolan) assertion that Duncan was in poor health.  Then the mistress ends up dead and Bannion is warned not to keep pursuing the matter.  Obviously, now he can't let it go and decides to go straight to the top and confront mob boss Mike Lagana (Alexander Scourby).  

This is a very straightforward noir that doesn't spend a lot of time on how Bannion solves the case.  He mostly just yells at people until someone tries to kill him.  This is apparently good police work.  But who cares?  The important people in this movie are the women.  Ice-cold Bertha Duncan.  World-weary Lucy Chapman.  Katie Bannion, the paragon of housewife-ly virtue.  And top of them all, bored, callous, gun moll with a heart of gold Debby Marsh, played by the criminally underrated Gloria Grahame.  

What's great about this movie is how it subverts the tropes that were already well-established by giving Debby the emotional impetus, instead of Bannion.  **SPOILERS FOLLOW** Bannion gets a little when he confronts Katie's killer, but Debby's reaction to her disfigurement and subsequent path of revenge, leading ultimately to her blowing the lid off the whole criminal conspiracy maker her a much bigger catalyst to the plot.  **END SPOILERS**  Even though she does ultimately fall prey to the Hays Code-imposed morality, she has much more agency than other femmes fatales of the era.

The Big Heat is one of the most highly regarded noirs by critics, so you don't have to just take my word for it.  It is well worth your time.  It's unfortunately not available for streaming but I already owned it so I just watched my copy.

As a side note, apparently the studio originally wanted Marilyn Monroe for the part of Debby Marsh, which would have been fascinating.  

One Battle After Another (2025)

Nominated for:  Best Picture, Best Director, Best Lead Actor, Best Supporting Actor x2, Best Supporting Actress, Best Adapted Screenplay, Best Film Editing, Best Production Design, Best Sound, Best Original Score, Best Cinematography, and Best Casting    So this was the big frontrunner before Sinners came in and dominated the nominations and I'll be real with you, this doesn't live up to the hype at all.  Not only is it not one of "the best films of the year," it's not even a particularly good comedy.  

Bob (Leonardo DiCaprio) used to be a revolutionary with the group French75.  His girlfriend (Teyana Taylor) ditches him with their baby, then gets rolled up by the cops, forcing Bob to go into hiding.  Sixteen years later, the cop that was leading the charge against them, Col. Lockjaw (Sean Penn), is up for membership in a prestigious secret society but needs to tie up some loose ends.  Bob spends his days in a paranoid haze of alcohol and weed while his daughter, Willa (Chase Infiniti), is blissfully unaware of the past that is bearing down upon them both.

Look, if goofy stoner action comedies are your thing, great.  You will probably like this movie.  I found it interminable.  It's basically a weirdly horny Taken meets The Pineapple Express.  I have no idea why it's been nominated for 13 Oscars.  It for sure only needed one Supporting Actor nod, if that.  Benecio Del Toro is fine but he did not need a nomination for this.  Teyana Taylor is also fine but did not need to be nominated, especially just for being hot and DTF.  It reminded me of when everyone went nuts for Katherine Waterston's performance in Inherent Vice, when all she did was be naked and die off-screen.  Actually, this was written by the same director as Inherent Vice, so that tracks.  

I've also seen this touted as somehow politically divisive and uhhhhhh... not really?  It's not actually taking any kind of stand beyond "do what you believe in."  If that is the bar for political activism, we are fucked, folks.  You could have set this in the 70s with the Weather Underground and it would have been the exact same story.  All the jokes are tired retreads about liberal purity in-fighting and right-wing shadowy cabals of the lamest sort.  

It's streaming on HBO Max but save yourself some time and skip this one.

Sorcerer (1977)

  Content warning:  terrorism, suicide (gun)  Ah, yes, the American remake that manages to remove all anti-American sentiment from the original.

Four ex-pats hiding from their criminal pasts take a dangerous job hauling nitroglycerin over bad road in order to get enough money to claw their way out of this one-horse town in the South American jungle.

Because I watched them back to back, it's almost impossible for me to not compare this to Wages of Fear.  Let me start by saying, both movies are excellent.  You cannot go wrong if you decide to only watch one, no matter which one you choose.  Personally, I'd give the edge to Sorcerer for tension, only because of the rope bridge scenes, which are absolutely harrowing and must have been a total nightmare to film.  William Friedkin, the director, shot on location in the Dominican Republic and the rain and mud and heat are palpable.  Considering the Arctic temperatures in the Mid-Atlantic region right now, it was nice to pretend to be warm again.  

Some other differences:  Sorcerer includes little mini-prologues of backstory for the four main characters, where Wages leaves them open for interpretation.  Sorcerer shifts the oil company management to the local regime, instead of the USA, removing Wages' commentary on colonialism.  It changes the circumstances of a major character death as well as the ending, which is still bleak but less existential.  Basically, if you read my review of Wages and thought, "sounds good but a little too French," Sorcerer is for you.  It's also streaming in its entirety on YouTube.  

Hilariously, this opened the same weekend in 1977 as Star Wars: A New Hope and got immediately shunted to the bottom of the box office.  It was enormously over budget and a huge flop which just goes to show that timing is everything and that you shouldn't use a box office gross as a marker of quality.  This is a great film and I look forward to forcing my friends to watch it.

The Wages of Fear (1953)

  Starting off the year with some depressing French shit, courtesy of Movie Club.  Content warning:  animal abuse, violence against women

Mario (Yves Montand), Jo (Charles Vanel), Bimba (Peter Van Eyck), and Luigi (Folco Lulli) are hired to drive trucks of nitroglycerin over 300 miles of bad road and jungle and deliver them to an American oil field.  The men start as hard, desperate drifters but as the conditions deteriorate and death becomes almost certain, their inner truths are revealed.

This is not a fun, uplifting movie.  It is bleak in the way only really French films can be.  Which is not to say it's a bad film.  It maintains the tension of man vs nature throughout the run time (nearly two and a half hours, so plan accordingly).  Just don't go in expecting any kind of warm and fuzzy moments.  It's mostly in French with some Spanish, English, and Italian thrown in so make sure you have subtitles on.  The funniest thing about the film is precisely how little has changed in the social commentary.

It's available for streaming on HBO Max, or on Kanopy if you have a library card.

The Matrix (1999)

  There was a minor interruption in services here because of a family emergency and then my Internet was out.  Time is fake and nothing matters.  There is only snow. 

A programmer who moonlights as a hacker for hire named Neo (Keanu Reeves) is recruited by a shadowy group only to learn that his world doesn't actually exist.  It's a fantasy projected by machines that have taken over the earth and use human beings as living batteries.  Having been woken from the collective dream, Neo struggles to understand his place in this dystopian resistance.

It is hard to overestimate what an impact this had on pop culture in 1999.  I just watched it with some friends who had never seen the whole thing before and it was great to be able to see pieces click into place for them.  It still holds up really well, although some of the effects look dated.  This was such an innovative film, though, you can't even be mad about it.  It literally created new camera rigs to pull off some of the effects.  The sequels shouldn't exist because they are shameless cash grabs but you can never say The Matrix isn't a stone-cold classic sci-fi movie.

Because we also live in a dystopian hellscape, it's only available for streaming through the MGM+ app but you should really just buy it.  

Oscar Nominations 2026

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The nominations are out!  And they look...a lot like the Critics' Choice nominations.  This is to be expected.  However!  There was a lot more love for horror movies this year, which is a hugely positive development.  

Best Picture

Bugonia
F1
Frankenstein
Hamnet
Marty Supreme
One Battle After Another
The Secret Agent
Sentimental Value
Sinners
Train Dreams

F1 is a little surprising for Best Picture but the rest are basically the same as Critics' Choice and Golden Globes.  I'm already two up, so yay, me.

Best Director

Chloe Zhao - Hamnet
Josh Safdie - Marty Supreme
Paul Thomas Anderson - One Battle After Another
Joachim Trier - Sentimental Value
Ryan Coogler - Sinners

Again, no surprises.  This category has historically been dominated by the same names over and over so it's nice to see some relatively new faces.  Not really refuting the #OscarsSoWhite but Zhao is pulling double duty as both the token woman and a POC.

Best Actor

Timothee Chalamet - Marty Supreme
Leonardo DiCaprio - One Battle After Another
Ethan Hawke - Blue Moon
Michael B. Jordan - Sinners
Wagner Moura - The Secret Agent

In a just world, Jordan walks away with this.  It's a dual performance, meaning he literally did twice the work.

Best Actress

Jessie Buckley - Hamnet
Rose Byrne - If I Had Legs, I'd Kick You
Kate Hudson - Song Sung Blue
Renate Reinsve - Sentimental Value
Emma Stone - Bugonia

As usual, this is a much more competitive category.  Buckley is the favorite but you can't discount Byrne or Stone.  Hudson is a surprise contender, sneaking the spot from Ariana Grande or Cynthia Erivo, I suspect.

Best Supporting Actor

Benecio Del Toro - One Battle After Another
Jacob Elordi - Frankenstein
Delroy Lindo - Sinners
Sean Penn - One Battle After Another
Stellan Skarsgard - Sentimental Value

I would love to see Lindo win for this.  He gave a phenomenal performance and he is overdue to be recognized.

Best Supporting Actress

Elle Fanning - Sentimental Value
Inga Ibsdotter Lilleaas - Sentimental Value
Amy Madigan - Weapons
Wunmi Mosaku - Sinners
Teyana Taylor - One Battle After Another

Interesting that Fanning got put in Supporting when she was up for Lead in the Critics' Choice and Golden Globes.  Madigan is the big upset inclusion and it would be great (for all horror fans) if she won but I don't think it's super likely.  Likewise, it's great to see Mosaku (who has quietly been putting out great performance after great performance for years) get recognized but that's probably all she's getting.

Best Adapted Screenplay

Bugonia
Frankenstein
Hamnet
One Battle After Another
Train Dreams

No surprises here.

Best Original Screenplay

Blue Moon
It Was Just an Accident
Marty Supreme
Sentimental Value
Sinners

My fear is that Sinners will only win here, like Straight Outta Compton, because the Academy is more interested in looking progressive than actually being progressive. Hope I'm wrong.

Best Animated Feature

Arco
Elio
KPop Demon Hunters
Little Amelie or the Character of Rain
Zootopia 2

This is the exact same lineup as the Critics' Choice.

Best International Feature

The Secret Agent - Brazil
It Was Just an Accident - France
Sentimental Value - Norway
Sirat - Spain
The Voice of Hind Rajab - Tunisia

Lockstep with the other awards.

Best Documentary Feature

The Alabama Solution
Come See Me in the Good Light
Cutting Through Rocks
Mr. Nobody Against Putin
The Perfect Neighbor

The only two I've heard anything about are Come and See Me, which looks depressing as fuck, and Perfect Neighbor, which is on Netflix.

Best Animated Short

Butterfly
Forevergreen
The Girl Who Cried Pearls
Retirement Plan
The Three Sisters

Best Casting

Nina Gold - Hamnet
Jennifer Venditti - Marty Supreme
Cassandra Kulukundis - One Battle After Another
Gabriel Domingues - The Secret Agent
Francine Maisler - Sinners

This is a new category and interestingly, a career field dominated by women.  I feel like it's going to go however the nominees for Best Picture go, but we'll see.

Best Cinematography

Frankenstein - Dan Laustsen
Marty Supreme - Darius Khondji
One Battle After Another - Michael Bauman
Sinners - Autumn Durald Arkapaw
Train Dreams - Adolpho Veloso

All new names this year.  Exciting.

Best Costume Design

Avatar: Fire and Ash
Frankenstein
Hamnet
Marty Supreme
Sinners

Okay, so I have some quibbles with Avatar being included here.  Nearly the entire movie is CGI, so exactly which costumes are we highlighting here?  Like, I get it, but I am side-eyeing it.

Best Documentary Short

All the Empty Rooms
Armed Only with a Camera: The Life and Death of Brent Renaud
Children No More: "Were and Are Gone"
The Devil is Busy
Perfectly a Strangeness

Best Film Editing

F1
Marty Supreme
One Battle After Another
Sentimental Value
Sinners

Best Live-Action Short

Butcher's Stain
A Friend of Dorothy
Jane Austen's Period Drama
The Singers
Two People Exchanging Saliva

Best Makeup and Hairstyling

Frankenstein
Kokuhu
Sinners
The Smashing Machine
The Ugly Stepsister

Several surprises here.  More horror!  The Smashing Machine kind of feels like even more of a snub, somehow, by being included here.  And I've never even heard of Kokuhu.  No idea.

Best Original Score

Bugonia - Jerskin Fendrix
Frankenstein - Alexandre Desplat
Hamnet - Max Richter
One Battle After Another - Jonny Greenwood
Sinners - Ludwig Goransson

Best Original Song

"Dear Me" - Diane Warren: Relentless
"Golden" - KPop Demon Hunters
"I Lied to You" - Sinners
"Sweet Dreams of Joy" - Viva Verdi!
"Train Dreams" - Train Dreams

Couple of odd little inclusions considering the distinct absence of Wicked: For Good.

Best Production Design

Frankenstein
Hamnet
Marty Supreme
One Battle After Another
Sinners

All these categories are the same movies.  It just makes for such a boring ceremony.

Best Sound

F1
Frankenstein
One Battle After Another
Sinners
Sirat

Best Visual Effects

Avatar: Fire and Ash
F1
Jurassic World: Rebirth
The Lost Bus
Sinners

Rebirth flopped super hard so I am surprised it's included here.  Like the Academy thought it should have been a blockbuster because it's a franchise.

So there you have it.  Ceremony is March 15th so we have a little less than two months to get everything in bold watched.  The good news is that, thanks to all the repeats, we've knocked out a few of the major contenders already.  

Speed Racer (2008)

  I thought I had reviewed this before but I can't find any evidence to support that.  This flopped really hard when it came out but I think it is due for a reevaluation.

Speed Racer (Emile Hirsch) comes from a line of racecar drivers and mechanics, a legacy tainted by the apparent criminality and sudden death of his older brother, Rex (Scott Porter).  Speed is courted as a driver for Royalton Industries, but chooses to stay with his family company, which pisses off Royalton's CEO, Arnold Royalton (Roger Allam).  Royalton uses his wealth and underworld connections to threaten Speed's family, forcing the teen to work with Inspector Detector (Benno Fürmann) of the Corporate Crimes Division and Racer X (Matthew Fox), a mysterious masked racer who frequently goes undercover, to enter a dangerous cross-country rally, the Casa Cristo, the same race that killed Rex.  Winning means a chance to expose Royalton for the shameless crook that he is, but losing is certain death.

This movie is like having melted Starbursts candies poured directly into your retinas.  To call it a live-action cartoon movie is to do injustice to the sheer visual splendor of it.  The plot is a little silly, sure, but it is based on a children's cartoon from the 60s.  Who cares?  It is amazing.  Possibly in the I've-eaten-too-much-sugar-and-now-I-can-see-sounds-right-before-I-technicolor-barf kind of way.  

The chimp is legitimately terrifying if you know anything about chimps, but that's a different kind of post.

Anyway, Speed Racer is so fun and so colorful and fast that you will either immediately love it or turn it off after three minutes.  It's streaming on Kanopy, which is free if you have a library card.  I own it because my cousin bought it and hated it, so she gave it to me.  Best ADHD present ever.

Anyone But You (2023)

  I'm just going to say it:  I don't get the Sydney Sweeney fascination.  Sure, she's got a great rack, but she's not particularly charismatic.  

After a disastrous one night stand, Ben (Glen Powell) and Bea (Sydney Sweeney) find themselves stuck together at a destination wedding for mutual friends.  In order to keep the peace, they agree to fake a relationship but soon find that feelings are complicated.

This is meant to be an updated version of Much Ado About Nothing that cuts out all the stuff that isn't Benedict and Beatrice, but there's a reason those are side characters.  They cannot carry a whole movie on banter.  Maybe other actors could and Powell is certainly game (although he really gets screwed by the script) but there's no chemistry and the bickering is forced and juvenile.  Ironically, the side characters really shine.  Alexandra Shipp, GaTa, and Bryan Brown understood the assignment and carried on like loyal soldiers.  

Again, I'm not a rom-com person so feel free to take my opinion with a grain of salt, but this bears no comparison to the Branagh-Thompson movie.  It is streaming on Hulu, though.

Wicked: For Good (2025)

  So there were actually THREE supernatural musicals released in 2025 but this one I didn't see until after the new year.  

Elphaba (Cynthia Erivo), now branded the Wicked Witch of the West, has been trying to change the hearts and minds of Ozians to make them see that their Wizard (Jeff Goldblum) is a con man, but she can't compete with Madame Morrible's (Michelle Yeoh) propaganda machine.  Madame M has positioned Glinda (Ariana Grande) to charm and distract the good people with a huge, glamorous wedding to Fiyero (Jonathan Bailey), even though they weren't engaged, little realizing that news alone was enough to strike a blow to several hearts: Elphaba, who was secretly in love with Fiyero, and Boq (Ethan Slater), the Munchkin man in love with Glinda.  Boq's revelation of his feelings sends Elphaba's sister, Nessarose (Marissa Bode) into a jealous rage, setting in motion a chain of events that leads to a cyclone and the beginning of a new story.

The movie makes explicit some plot aspects that the stage musical kept more subtle, which I don't hate, and the music is of course fantastic.  Still not sure why everything has to be three hours long now, but whatever.  I watched this with friends and it was a great time.  We made macarons in pink and green.  It was a whole thing.  If you don't like musicals or the first one wasn't your thing, go ahead a skip this one.  It is strictly for the fans.  It's available on Amazon to buy or rent.  I'm obviously going to buy it but I think I'll wait to see if there's a double-disc option.

Master Z: Ip Man Legacy (2018)

  You have no idea how long it has taken me to actually finish this movie.  I started trying in July of last year.  Content warning:  some blood, overdose, drug use

Cheung Tin-chi (Max Zhang) was the new Grandmaster of Wing Chun until he challenged and got his ass beat by Ip Man (Donnie Yen) behind closed doors.  Humiliated, Cheung sold out as a gangster for hire for awhile, then gave up crime to open a grocery store.  He runs afoul of local tough guy Tso Sai-Kit (Kevin Cheng) on a delivery when he accidentally interrupts Tso's harassment of Julia (Liu Yan) and Nana (Chrissie Chau).  Tso firebombs the grocery store in retaliation.  Julia gets Cheung a job at her brother's bar, and Tso starts selling heroin because he's mad at his sister (Michelle Yeoh).  

This is not a great movie.  The plot is a pastiche of like 6 other, better films.  But it is a very good martial arts wire fu movie.  The legendary action choreographer Cory Yuen Woo-Ping directed it and every fight scene is great.  You just kind of have to slog along in between them while it tries to plot at you.  It does feature a surprisingly good performance from Dave Bautista, like way better than his cardboard cutout character deserved.  He totally could have phoned that in but didn't.  And his fight with Max Zhang is hilarious because of their size differences.  It reminded me of Kate Bishop going up against Kingpin in the Hawkeye series.  

I started trying to watch this on the Roku Channel but the ad breaks were super annoying.  Then it was on Netflix but my subtitles were messed up.  And I finally finished it on Hulu.  A journey was taken.  Just watch it on Hulu.

The Mouse and His Child (1977)

  Still working my way through Christmas.  Content warning:  cartoon violence?, some indefinable thing but you should definitely watch it before you show it to your kids

A clockwork mouse (Alan Barzman) and his child (Marcy Swenson) are joined by the hands.  After accidentally falling into the trash, they wind up at the dump and under the power of Manny the rat (Peter Ustinov), who uses discarded windup toys as slave labor.  He wants the mouse and child to rob a bank holding his favorite sweets, but is foiled when the henchman he sends with them is too stupid and allows Mouse and Child to escape.  They wander through the land, searching for a muskrat (Bob Holt) who can allegedly give them the power to be self-winding.  

This is some late 70s animated nightmare fuel!  And on top of that, there's the existential crisis of the central plot.  Zero reason this had to go so hard!  Fully insane that there's a clock that tells the characters that their paths in life are predetermined and immutable.  The whole movie is on YouTube on what appears to be a VHS transfer, which frankly only adds to the fever dream of it all.  Vet this before you show it to your kids.  I'm so serious.

Emmet Otter's Jug-Band Christmas (1977)

  I watched this for Movie Club several weeks ago but didn't get a chance to post it, with all that was going on.  

Emmet Otter (Jerry Nelson) and his Ma (Marilyn Sokol) live on the river.  Ma takes in washing and Emmet does odd jobs.  Both hear about a talent show where the prize is $50.  That would be a significant sum, so they each independently sign up, Ma as a singer and Emmet with some locals in a band, without telling the other, each figuring that a win will allow them to buy the other one a present.

If you ever thought "Gee, I wish the Muppets could deal with abject poverty and be depressed," 1) what the fuck is wrong with you and 2) here's your movie!

This is the Jim Henson version of O. Henry's "Gift of the Magi" short story.  It is still pretty heart-warming but it is also a huge downer.  But like, in an important life lessons kind of way.  All the music is (of course) by Paul Williams and Kermit even makes a guest appearance.  It's a legitimate Muppet movie that I had somehow never seen.  I don't think I'd rush to watch it again, but I would definitely recommend it to people looking for kind of an off-beat Christmas movie to show their kids.

I think I had to actually rent this one from Amazon.  

2025 Top 10

The last couple of years have been pretty rough.  I had a family emergency over Christmas and overall this has been my worst year for posting.  I'm not a big resolutions person, but I would like to get back into my semi-normal routine, if things calm down enough to let me.  I hope everyone reading this has a wonderful 2026.  Let's look back at some of the movies I enjoyed and then what we're looking forward to in the coming months.

10.  Match - This was a huge surprise.  I wasn't expecting to like it this much, but the more I thought about it, the more it held up.

9.  The Thursday Murder Club - Comfort food.  I had a lot of burnout this year and had to deal with drama from all sides.  Otherwise, this would likely never have made the top ten.

8. Thunderbolts* - I didn't see Fantastic Four but I liked this Marvel entry.  It was messy and sad and dark when I was messy and sad and dark, so I really enjoyed it.

7. Superman - I mostly hate Superman.  He's my least favorite superhero.  But damn if I didn't need a little hope.  Also, Nicholas Hoult is a top-tier hater and I love that for him.

6.  Weapons - Shockingly funny.  Just great.

5. Companion - Best date movie this year.  If Heart Eyes hadn't tripped at the finish line, it could have been here.

4. Mickey 17 - Might be benefitting from how recently I watched it, but I really liked it.

3.  Frankenstein - How was this not going to be near the top?  Loved it.  The aesthetic!  The trauma!  The therapeutic rewriting of the ending!

1. (tie) Sinners

1. (tie) KPop Demon Hunters - Two (2!) supernatural musicals in one year??  With lore?? And pathos?? And incredible soundtracks??  Couldn't choose.  Truly, an embarrassment of riches.  I kept going back and forth between them, but just like my favorite Kindle category, Why Choose?  Have both!

I know 2026 has technically already started but I'm still catching up.  Here's what's coming out this year!

Dead Man's Wire - Bill Skarsgaard in an underdog thriller.  Haven't seen a lot but I love when he plays weird dudes.

Dracula - Luc Besson is doing his take.  I have mixed feelings, but you know, vampires.

Pillion - Alexander Skarsgaard out here letting his freak flag fly high!

Wuthering Heights - For Margot Robbie, I will suffer through another Bronte adaptation.

The Bride! - Very exciting!

Project Hail Mary - My ex listened to a lot of this audiobook while I was in the car so now I'm interested.

Hokum - From the same team that did Oddity.  

The Sheep Detectives - This looks really cute.

The Mandalorian and Grogu - I feel like this is going to be diminishing returns, but what do I know?

Supergirl - Milly Adcock looks like she'll be hilarious as Supergirl.

The Odyssey - I just can't quit Christopher Nolan.

Spider-Man: Brand New Day - There's a new Spider-Man movie?

Clayface - Zero expectations but I am curious.

Practical Magic 2 - Argh, I'm so afraid this is going to suck.  I love the original so much.

Street Fighter - Sure.  Why not?

Avengers: Doomsday - Will this be the final nail in the MCU coffin?  We'll see!

Dune: Part 3 - More space drama!

Werwulf - All right, Eggers.  You are tentatively off my shit-list.  Don't fuck this up.